Gervasio's experience as a teacher, first in Bari (from 1967) at the composition chair of the Niccolò Piccinni Conservatory, and
Gervasio’s inclination towards serial works, typical of his production during this period, characterizes three important pieces
1960 was a turning point in Gervasio’s life; after leaving his twenty-year commitment to INCOM, Gervasio decided to
This dossier enables you to listen to interviews with performers carried out by Gervasio as part of the Scuola di Musica
One of the lines developed by Sandro Pallavicini for INCOM (Industria Corti Metraggi in a wide range of documentaries produced from 1938 to
