Raffaele Gervasio (Bari 1910 - Rome 1994) was a composer of the twentieth century active in multiple fields of pure and applied music.
After studying Violin and Composition, in the cities of Bari, Pesaro, Florence and Rome, Gervasio settled in the capital in 1940. Whilst here he began to collaborate, firstly as composer and general consultant, then as a music director with INCOM - Industries Short Films of Milan, for whom he wrote original and repertoire music for hundreds of documentaries and newsreels. At the same time he wrote music for theatrical performances and feature films, including the show Carosello Napoletano (that later became a movie), cultural radio segments, repertoire music and tunes for RAI - Radiotelevisione Italiana SpA. In 1961, for the centenary celebrations of the Unification of Italy, he composed an album with two LPs entitled I Canti che hanno fatto l’Italia, with original music, transcriptions and reworkings directed by Franco Ferrara, including a piece of work chosen by RAI for the inauguration of the broadcasts of their second television channel.
In the second half of the 1950s, he resumed his commitment to symphonic music with two Symphonies and in 1960 he ultimately left INCOM to devote himself to music, gradually reducing his other commitments in the field of applied music.
The Sixties were a productive music period with important creative works, including Concerto spirituale (1961) for choir, viola, organ and harps, in memory of his father and the triptych whose protagonist is violin, constituted byPreludio e Allegro Concertante (1962) for strings, piano and percussion, Concerto per violino e orchestra (1966) and the subsequent Composizione in la (1974) for violin and piano. At the end of this period are Logos(1969) for orchestra and Fantasia(1970) for piano, written at the request of Rudolf Firkušný.
In 1967, at the request of Nino Rota, he accepted the Chair of Composition at the Piccinni Conservatory of Bari. Two years later, he took over the direction of the new Duni Conservatory of Matera, which was a detached section of the Bari Conservatory, that in just a few years became independent, fully operational, and also a point of reference in Italy for its teaching. A series of original works and re-elaborations specifically written for the young students of the Conservatory of Matera are from this period.
In 1978 he was elected Academician of Santa Cecilia.
Once he had completed his directing and teaching activities, he dedicated himself exclusively to music. During this period he composed a number of both chamber and orchestral works: Invenzioni di aprile (1980) for viola, flute and guitar; Il filo rosso (1981) for wind quintet; Movimenti perpetui (1982) for orchestra, performed in Santa Cecilia, Ouverture inaugurale (1983) for organ and orchestra, commissioned by the Province of Bari; Doppio concerto (1984) for violin, guitar and strings; Quintetto secondo (1984) for wind and piano, in the repertoire of the Ensemble Galzio; Composizione orchestrale (1986) commissioned by the Academy of Santa Cecilia; Matera interviene (1988) for acting voice, choir and orchestra; Un’orchestra e tre recitanti per Giulietta e Romeo (1993); Triplo concerto “degli oleandri“ (1993) for flute, guitar, viola, strings and percussions; Capitoli (1994) for clarinet in Bb, piano and cello and Variazioni sulla preghiera del Mosè di Rossini (1994) for trumpet and organ.
Raffaele Gervasio was born on the 26th July in Bari, to Michele, archaeologist, and Rosa De Leonardis. Due to the premature death of the eldest daughter Teresa, he was the first of three children (Giuseppe and Elena). He was a precocious child and musically gifted so his parents decided to have him home schooled.
Gervasio began attending the Piccinni Musical High School founded by Giovanni Capaldi, which then became the Bari Conservatory. He studied violin with Gioconda De Vito, harmony with Don Cesare Franco and piano with Italo delle Cese. During this time the family relocated from Bari to Torre a Mare.
Almilcare Zanella, honorary director of the Musical High School of Bari, convinced the family to let the young Gervasio attend the 'Gioacchino Rossini' conservatory in Pesaro and attend his composition class. Gervasio studied counterpoint and harmony with Antonio Cicognani and Alessandro Peroni and completed his violin studies with Giovanni Chiti, with whom he graduated with honours in 1929. He remained in Pesaro in 1930 as an apprentice and first violin of the conservatory orchestra and continued to study composition with Zanella.
Gervasio wrote the Notturno-Capriccio op.2, which Zanella published in the magazine Antologia Musicale.
Gervasio graduated with Vito Frazzi in 1934, winning the gold medal of the Ministry of National Education withAndante on a theme by Bagnoli.
He moved to Rome where he attended the specialisation course with Ottorino Respighi at the Conservatory of Santa Cecilia and in 1935 he obtained the prize for best student. After Respighi's death in the spring of 1936, he returned for his second year of improvement with Ildebrando Pizzetti.
Gervasio attended the introductory composition course to music for reproduction (cinematography, radio, phonography) held by Eng. Ernesto Cauda at the Conservatory of Santa Cecilia.
He wrote the Rapsodia da Camera su canti di Puglia op.13, that he considered his first "authentic work" whic was performed in Bari on July 7h of the same year, together with the Introduzione al Golgotha op.15, for which he received great appreciation.
Gervasio fulfilled his military service.
He composed Canti pugliesi per una danza lenta.
After military service Gervasio returned to Rome. He wrote the music for the animated film Crociato 900, by Liberio Pensuti, for an anti-tuberculosis campaign.
Gervasio wrote the music of the documentary Colpi d’Ariete for the anti-tuberculosis campaign, with cartoons by Liberio Pensuti and Ugo Giacomozzi as conductor.
In 1940 he began his relationship, which lasted 20 years, with INCOM - Industrie Cortometraggi Milano, as composer and general consultant first, and then musical director. During this time he added sound to hundreds of documentaries and newsreels, with his original or repertoire music. A very large part of the INCOM repertoire has been archived and made available by the Luce Archive.
Gervasio composed the music for the films Luna di Miele directed by Giacomo Gentilomo, with Assia Noris, and I Pirati della Malesia directed by Enrico Guazzoni with Massimo Girotti and Clara Calamai.
For INCOM he wrote the music for several documentaries, including Armonie giovanili, directed by Stefano Canzio with Ugo Giacomozzi as conductor, Dono dei boschi, directed by Antonio Dell'Anno, Noi Mondine, directed by Vittorio Carpignano with Ugo Giacomozzi as conductor, Sosta d’eroi, directed by Pietro Francisci with Fernando Previtali as conductor, T.O. 34, directed by Vittorio Carpignano with Fernando Previtali as conductor.
He wrote Preghiera for reciting voice and orchestra on lyrics by Raffaella Botta.
He composed the music of Nel paese dei Ranocchi, the first Italian animated short film in colour by Antonio Rubino, with the EIAR symphony orchestra conducted by Fernando Previtali. It won the gold medal at the Venice International Film Festival in 1942.
He composed the music of INCOM documentaries including Via Margutta directed by Raffaele Saitto, Giuseppe Morelli as orchestra conductor and ensured the coordination and integration of the music for Allegretto a quattro voci, directed by Edmondo Cancellieri, with Fernando Previtali as conductor.
Gervasio married Raffaella Botta in March. He lost his brother Giuseppe, a second lieutenant doctor who went missing in the September bombing of the Bologna train station.
Gervasio composed the music of the film I nostri sogni, directed by Vittorio Cottafavi, with Vittorio De Sica, Paolo Stoppa and Maria Mercader, and INCOM documentaries including Musei Vaticani and Cantico del sole.
He composed the music of Quartetto pazzo directed by Guido Salvini, with Gino Cervi, Anna Magnani, Rina Morelli, Paolo Stoppa, and Guglielmo Barnabò.
In 1945 he began to collaborate with RAI - Radio Audizioni Italiane (which in 1954 would become RAI - Radiotelevisione Italiana). His first piece of original radio work was Da Lilì Marlene alla vittoriafor orchestra and speaker on lyrics by Edoardo Anton.
With the end of the Luce Institute monopoly of information through its newsreels, INCOM organized the Settimana INCOM information newsreel which continued until 1965. In addition to original music and adaptations for thousands of newsreels, he wrote the music for the theme song.
For INCOM, Gervasio composed the music for short films; one of many was L’Italia s’è desta, of which he was co-writer, directed by Domenico Paolella with the orchestra conducted by Fernando Previtali.
One of his articles was published on Radiocorriere in two episodes: Radio Songs. A Musician’s Ideas.
Gervasio composed, the music of INCOM short films: Intermezzo radiofonicodirected by Edmondo Cancellieri, with the Rome Radio Symphony Orchestra of Italy conducted by Fernando Previtali; E il Vesuvio sta a guardaredirected by Domenico Paolella and with the orchestra of the Italian Radio conducted by Franco Ferrara; Thanks America!directed by Domenico Paolella with the orchestra of the Italian Radio conducted by Fernando Previtali.
He composed the music for the radio play Il canto di Elibased on lyrics by Annaluisa Meneghini and Alberto Perrini; while for the theatre he composed the stage music for Il votodirected by Ettore Giannini, with Sarah Ferrati, Salvo Randone and Camillo Pilotto.
Gervasio's daughter Rosa Maria, known by all as Leietta, was born in January in Rome.
He also composed the music of the short film Marconifor INCOM. It was directed by Pietro Benedetti, with symphony orchestra and choir of Radio Torino conducted by Mario Rossi, .
He composed the soundtrack directed by Fernando Previtali of the film La roccia incantata (1949) directed by Giulio Morelli, with Dina Sassoli and Mirko Ellis.
On April 14, Carosello napoletano (with the initial title of Neapolitan Carousel) debuts at the Teatro La Pergola in Florence, an Errepì show (Remigio Paone), directed by Ettore Giannini, with scenography by Gianni Ratto, choreography by Ugo Dell'Ara, costumes by Maria De Matteis. The show, which won four Maschere d’Argento (subject, direction, scenography and music) was a huge success and went on tour in Europe and America.
Gervasio composed, the music of INCOM short films: Campionato mondiale di calcio. Gli azzurri in Brasile, directed by Stefano Canzio, with the Italian Radio Symphony Orchestra of Rome conducted by Fernando Previtali, and I cristalli, created by Lando Colombo.
He composes the music of the films Il capitano nero, directed by Giorgio Ansaldi and Alberto Pozzetti, Italian Radio symphonic orchestra of Rome conducted by Fernando Previtali, with Marina Berti and Steve Barclay, Fiamme sulla laguna, directed by Giuseppe Maria Scotese, with Lea Padovani and Leonardo Cortese. For INCOM he composes the music for Fiorenzo il terzo uomopresented in France under the title Le 34° tour d’Italie cycliste, directed by Stefano Canzio.
For RAI he composes the music for Ballata Italiana, radio original based on lyrics by Edoardo Anton, directed by Alberto Casella, symphonic orchestra and choir of Italian Radio directed by Franco Ferrara, chorus master Nino Antonellini, boys' choir directed by Renata Cortiglioni. The piece, commissioned by RAI, was presented at the 5th edition of Premio Italia.
Gervasio composed the music of the film L’incantevole nemica, directed by Claudio Gora, conductor Franco Ferrara, with Silvana Pampanini, Robert Lamoureux, Carco Campanini, Ugo Tognazzi and a short participation by Buster Keaton.
For INCOM, Gervasio composed the music for short films; one of many was Il miracolo della seta, directed by Lando Colombo, with the Chamber Orchestra of Rome conducted by Franco Ferrara, and Percorso netto, directed by Raimondo Musu, with the Rome Chamber Orchestra conducted by Franco Ferrara.
For INCOM, Gervasio composed the music for short films; one of many was Ballata siciliana, directed by Remigio Del Grosso, conductor Franco Ferrara, Il re dello stagno, directed by Lando Colombo, with music directed by the author, Sicilia Olimpica, directed by Remigio Del Grosso, with music directed by the author, and Concerto ginnico, directed by Raimondo Musu, conductor Fernando Previtali.
He composes the music for the radio documentary Sinai, based on lyrics by Gian Battista Angioletti and Sergio Zavoli, presented at the 6th edition of Premio Italia.
The movie Carosello napoletanois released in theatres, a cinematographic transposition of the theatrical show with the same name, directed by Ettore Giannini, screenplay by Ettore Giannini, Giuseppe Marotta, Remigio Del Grosso; scenography by Mario Chiari; photography by Piero Portalupi; Ballet Grand Ballet du Marquis de Cuevas, Le Ballet Africain, French can-can; choreography by Léonide Massine; costumes by Maria De Matteis. The film wins the international award at the Cannes festival.
He completes the first Sinfonia, whose composition he had started some time before, and which was ultimately performed at the Argentina Theatre in Rome by the Symphony Orchestra of the Santa Cecilia Academy conducted by Fernando Previtali. He then composes the Seconda Sinfonia, also called the Sinfonia degli Stadi, performed at the Piccinni Theatre of Bari by the Orchestra of the Piccinni Foundation conducted by Pietro Argento.
He composes the music for the film Piccola posta, directed by Steno, with Franca Valeri and Alberto Sordi.
After repeated attempts at reconciliation, the marriage to Raffaella Botta breaks down, with consensual separation.
He composed Allegro da parata, which was then recorded with Franco Ferrara conducting.
He writes original orchestrations and music for a Philips show by Son et Lumière, Romani de Roma, which was supposed to take place at villa Aldobrandini, but was cancelled a few days before its debut.
He composes the music for the ballet Viaggio di nozze, with the choreography of Ugo Dell’Ara, staged at the communal theatre in Bologna in December.
He also composed the music of the short film Archeologia + petrolio = Sicilia, directed by Giuseppe Scotese.
He composes the music for the television broadcast Europa in roulotte, nine episodes by Leonardo Cortese and Marco Cesarini Sforza, which tells the story of Europe through a journey made by Cortese with his family in a caravan.
Gervasio leaves INCOM after 20 years to devote himself mainly to pure music.
In view of the imminent centenary of the unification of Italy, he works on I canti che hanno fatto l’Italia, a double record album produced by RCA, with original transcriptions, elaborations and music directed by Franco Ferrara, which will be released the following year.
For RAI he composes the Canzonette amorose, for male voice and instruments, on verses by Angelo Romanò.
His father Michele dies. In his memory he composes the Concerto spirituale, for male choir, mixed choir, viola, organ and harps.
The part relating to the songs of the great war of I canti che hanno fatto l’Italia was played in the great inaugural concert of the second RAI channel on November 4, 1961, broadcast live by the Palazzo dello Sport in Rome, orchestra and choir of the Italian radio and television, conductor Franco Ferrara, chorus master Nino Antonellini, voices Rosanna Carteri, Raffaele Ariè, Giuseppe Campora and Renato Capecchi, chorus of white voices directed by Renata Cortiglioni, fanfare of the National Association Bersaglieri section of Rome.
He composes the Preludio e allegro concertante, for strings, piano and percussion, later the winner of Premio Ballo. Gervasio considers it the first part of a triptych that has the violin as its protagonist, the following parts of which will be the Concerto per violino e orchestra and the Composizione in la.
He composes the Concerto per violino e orchestra, subsequently recorded by RAI with the RAI Symphony Orchestra of Rome conducted by Pierluigi Urbini, violinist Pina Carmirelli, and winner of the Premio Giordano.
For Il mercante di Venezia, a theatrical show directed by Ettore Giannini, with Paolo Stoppa, Rina Morelli, Ottavia Piccolo, Tino Carraro, he composes the music performed on stage by the madrigalistic complex Luca Marenzio, with original transcriptions and music.
He composes the music of Muse Notturne, with lyrics by Enzio Cetrangolo, for soprano, horn and piano.
He composes the Detti di Aristotele, for soprano, flute, cello, piano and cymbals, whose lyrics are taken from I problemi musicali di Aristotele.
At the request of Nino Rota, to whom personal friendship and professional esteem bind him, he accepts the composition chair at the Piccinni Conservatory of Bari, of which Rota is director.
He composes the Composizione in la, for violin and piano, written for Bice Antonioni and in her repertoire.
His mother Rosa De Leonardis dies.
He composed Logos, for orchestra, whose first performance with the RAI symphony orchestra is conducted by Fernando Previtali.
He agrees to take over the management of the new Duni Conservatory of Matera, formerly a detached section of the Piccinni of Bari; this is a particularly challenging task and, especially in the first phase, full of bureaucratic and administrative commitments in which Gervasio will be engaged until 1976, leading the Matera Conservatory to become a reference point in Italy for its active teaching. Subsequently, he returned to the chair of composition until 1980.
He wrote Fantasia, for piano at the request of the pianist Rudolph Firkusny, who will perform it in Bari in 1973.
The Essays of the Conservatory become a central point of the didactic activity and Gervasio writes, for the students, numerous original pieces of music, transcriptions and reworkings, some of which will have an independent life in the concert repertoire. For example: Invitation au violon, for solo violin, violins I and II, sistrum and triangle, harp and piano, Apertura, for 5 trumpets in C, horn in F, 3 trombones and organ, Tecnica giornaliera, for two pianos, Le ciliege, for piano with six hands, Arpeggini per Agnese, for harp, organ and percussion, Marcia dei maggiolini, for 3 bassoons, violins, sistrum, triangle, harp and piano, Elaborazione dello studio per clarinetto di Gaetano Donizetti, for Bb clarinet and piano, Cinque canti romani, for chorus of white voices and so on.
He composes a new instrumentation without voices of the Rapsodia su canti di Puglia for chamber orchestra, which will then be directed by Rino Marrone.
He composed Improvviso notturno e finale, for cello, piano and percussion.
For the violinists Tina and Carmen Staffieri he composes Dialoghi della Bilancia, for two violins.
He was elected Academician of Santa Cecilia.
From October, for thirteen episodes, the weekly transmission Scuola di musica, hosted by Gervasio, will be broadcast on Radio Uno.
He composed Napoli Antica, for voices, choir and orchestra, reworked in chamber version in 1990, Il Postiglione for trumpet and piano composed at the request of Francesco Lentini and Invenzioni di aprile for viola flute and guitar, dedicated to the violist Giovanni Antonioni and performed with Pietro Romano, flute, and Carlo Carfagna, guitar. The didactic activity at the Conservatory ends.
In April the 80's Musicamera association in Bari dedicated a monographic concert to him.
At the request of Franco Ferrara, for the closing concert of the course for young conductors held by him in Bari, he writes Movimenti perpetui, for orchestra; at the request of Carlo Carfagna he composes Ricercar del sestante, for guitar.
For the inauguration of the organ of the Rota Auditorium of the Piccinni Conservatory of Bari, he composes the Ouverture inaugurale, for organ and orchestra, performed by the Symphony Orchestra of the Province of Bari, with conductor Rino Marrone and organist Luigi Celeghin. He composes Concerto da camera, for double quintet (five strings and five wind instruments) and percussion, for the Dauni Soloists by Domenico Losavio.
He composed Introduzione e tema variato, for violin and piano, which he will then transcribe for violin and strings.
He composes various chamber pieces, including Doppio concerto, for violin, guitar and strings, Quintetto secondo, for oboe, clarinet, bassoon, horn and piano, dedicated to the Ensemble Galzio, Indugio compiuto, for voices, violin, guitar, piano and percussion, Quattro invenzioni, for piano and Sonata, for piano and percussion.
In May the E.R. Duni of Matera, as part of the First Review of Contemporary Music, organizes the concert Ritratto di Raffaele Gervasio. Portrait of Raffaele Gervasio
In July his sister Elena dies and in December his granddaughter Elena, Michele's daughter, is born.
He composed Violakit, for guitar and viola.
On commission from the National Academy of Santa Cecilia he writes Composizione orchestrale, , performed in 1988 by the Orchestra of the Academy of Santa Cecilia conducted by Yoav Talmi.
In January the grandson Ruggero, Leietta's son, is born.
In view of the first visit of a President of the Republic to Matera, he composes, on commission of the Province, the piece Matera interviene, for reciting voice, choir and orchestra. The visit was cancelled and the first performance was in 2006.
He composed Percorso, for flute and piano.
On March 15 the Camerata Musicale of Bari, conducted by Gianni Antonioni, organizes a concert at the Petruzzelli theatre entirely dedicated to Gervasio and entitled Raffaele Gervasio “il compositore barese”. Raffaele Gervasio “il compositore barese”.
He participates in the commemoration of Fernando Previtali in September, five years after his death.
He composed Un’orchestra e tre recitanti per Giulietta e Romeo, for three voices and orchestra; Florilegio ’83, for orchestra, third version of the Concerto da camera; Triplo concerto degli oleandrifor flute, viola, guitar and orchestra.
Raffaele Gervasio dies in Rome in July.
In December the Conservatory Niccolò Piccinni of Bari organizes the concert In memory of Raffaele Gervasio in the Cathedral of Bari.
The Tito Schipa Conservatory of Lecce dedicates a Homage to Raffaele Gervasio
The Symphony Orchestra of the Province of Matera, conducted by Vito Clemente, organizes the concert in Homage to Raffaele Gervasio
The University of Bari organizes the concert with Music by Raffaele Gervasio and Nino Rota
Teca del Mediterraneo organizes the Musicians of Puglia for the Cinemaconcert, with music by Franco Casavola and Raffaele Gervasio.
The E.R. Duni Conservatory of Matera organizes Raffaele Gervasio, a Life Dedicated to Music, two days of music, exhibitions and meetings dedicated to Gervasio, promoted by the Conservatory Auditorium, and the first performance of Matera interviene
The Camerata Musicale of Bari organizes a Homage to Gervasio, with music performed by the Trio l'Orage
Teca del Mediterraneo organizes the concert with Music by Raffaele Gervasio and Nino Rota, performed by the Collegium Musicum directed by Rino Marrone.
The Collegium Musicum, conducted by Rino Marrone, organizes the concert To Raffaele Gervasio
On the centenary of his birth, the General catalogue of Raffaele Gervasio's worksis published, edited by Nicola Ventrella, for Edizioni Dal Sud.
On the occasion of the celebration of the 150th anniversary of the unification of Italy, the album I canti che hanno fatto l’Italia e vengono realizzati due concerti: il primo a Taranto, il 1 giugno, con l’Orchestra della Magna Grecia diretta da Piero Romano, il coro lirico di Potenza e il Coro di voci bianche delle scuole di Taranto, la Fanfara della Marina Militare di Taranto; il secondo a Roma, il 1 luglio, presso l’Auditorium Parco della Musica di Roma con Orchestra, Coro e Voci Bianche dell’Accademia Nazionale di Santa Cecilia e Fanfara dell’Associazione Nazionale dei Bersaglieri, direttore Carlo Rizzari.
In December the book Inside Music. In Memory of Raffaele Gervasio is presented in Matera by Vincenzo De Filpo.
The Conservatory of Music Niccolò Piccinni of Bari organizes the initiative To Raffaele Gervasio, a homage on the twentieth anniversary of his death with the creation of a series of events carried out over a week, from 17th to 24th November, which include the screening of films and animation short films, the performance of chamber music and youth lyrics and the performance of symphonic music.
The E.R. Duni of Matera celebrates 50 years of music by dedicating a series of in-depth and musical events to Egidio Romualdo Duni, to whom the Conservatory is dedicated, to Nino Rota, who was the first director of the detached section of the Bari Conservatory and to Raffaele Gervasio, who was the first director of the autonomous Conservatory.